Lessons From The Phantom of the Opera© and Other Phantom Ramblings: It's Alive!

Monday, March 21, 2011

It's Alive!

I wandered over to BlogTalkRadio a few days ago and noticed that we just rolled over 22,500 downloads on our former internet radio show that stopped broadcasting last Spring. With only 30 shows under our belt, the fact this show keeps going sort of reminds me of Frankenstein...hence my scream..."it's alive!" (And some thought we wouldn't last - LOL)

Teresa Stout and I had a great time doing the show, and even though we've had requests to bring it back, I'm not quite ready to go down that path. However, if you're new to this blog and have never listened to our archived shows, pop on over. We've got some good ones that include:

Interview with various Phantom authors.
Interviews with the Vegas Phantom of the Opera principle cast members, that include the Phantom, Raoul, Christine, and Meg.
Special appearances by The Phantom Reviewer, Ladyghost, and Requiem Mask.
Byron Nease, the singer/actor who played Raoul for ten years in the Toronto production.
Miscellaneous phantom fans with their obsessions.

So, check them out! I may plan on doing a rebroadcast in May after my return from seeing the revised Love Never Dies production. If I do, I'll let you know if we go live again.

Cheers from the lair,

Vicki aka The Phantom's Student

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Blog/Book Review

"Lessons From 'The Phantom of the Opera' " is a creative and thoughtful approach to pop culture hit. I enjoyed the book because I teach French history at the college level and I have long enjoyed Gothic novels as well as opera. I connect with the story on several levels, professional and personal. "Lessons" takes a personal, reflective approach that asks readers to think about why they react as they do to the musical and novel. Why does such an old fashioned, romantic story have such appeal in post modern society? Simple: young or old or in between, we still respond to the emotions explored in the story. I plan to tell some of my students who are Phantom fans about this book." (Dr. Melanie Byrd)

The Joy of Audio Books

I love audio books. They open up a whole new world of entertainment. They save time from sitting down and reading a book. You can listen while driving to work, during work, taking a walk, running, or working outside and around the house. It's a time-saving opportunity to take a moment and enjoy your favorite books, acted out by talented voice artists, many of which are from television and stage.

The talent chosen for The Phantom of Valletta, has extensive voice experience. My other narrators are from the stage, or are professional voice artists that have done television, documentaries, and commercials.

Why not try out a membership at Audible? It's easy - starts with a free trial, has no long-term commitment, and is filled with entertainment.

Join today, and I'll give you a free code to one of my books of your choosing to get you started.

JOIN HERE AT AUDIBLE

Listen To All Things Phantom on BlogTalkRadio

All quotations used in this blog are the property of:

The Phantom of the Opera, by Gaston Leroux, Pubished by Random House, Inc. 2002 (Quoted with Permission)

Introduction by Anne Perry, Copyright 2002, Random House, Inc. (Quoted with Permission)

Phantom Of The Opera lyrics are the property of their respective authors, artists and labels. (Music Andrew Lloyd Webber/Lyrics Charles Hart, The Really Useful Group, London, UK). Licensing fees were paid to use them in my book, Lessons From the Phantom of the Opera, but have been omitted here on the blog. Artwork is posted by permission of artist.

Writer's icon and other photos used in his blog were purchased from iStockPhotos.com, with rights for use, or are personal photographs taken by Phantom's Student. POTO from Photobucket.

Special Thanks

Special thanks to Anne Perry who has given me permission to quote her from her introduction to The Phantom of the Opera by Gaston Leroux, published by Random House, 2002, and her good luck wishes.

Special thanks to the Hal Leonard Corporation, who made my experience in getting licensing permission to use Webber's lyrics in my book easier than I dreamed.

Special thanks to my readers that allow me to express my views from behind my mask and keep coming back for more even though I poke at them.

Special thanks to Sadie Montgomery (Author of the "The Phoenix of the Opera" series) for holding my hand through my self-publishing experience and for her faithful and continued encouragement.

References Used